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HYBRIDOGRAPHY

ΠΕΙΡΑΜΑΤΑ ΜΕ ΥΒΡΙΔΙΑ /EXPERIMENTS WITH HYBRIDS

The Death of specialization, the end of separate fields, poetry with the frenzy of scientific testing, art without anxiety for applause, life full of indeterminacy, catacombs of meaning in seemingly indifferent representations, wanderings in the company of visions, ghosts and ancient truths, dreams clothed without psychoanalysis , music played with words , shapeless ideas about time, architecture devoted to nostalgia, esotericism that gnaws like a beast, myths alive only for a few, walks in Sorrento with Nietzsche, notes on the end of Science Fiction and its real dominance…

Ο Θάνατος της ειδικότητας, το τέλος των διαχωρισμένων πεδίων, ποίηση με τον παροξυσμό επιστημονικής δοκιμής, τέχνη χωρίς αγωνία για χειροκρότημα, ζωή γεμάτη απροσδιοριστίες, κατακόμβες νοημάτων μέσα σε φαινομενικά αδιάφορες αναπαραστάσεις , περιπλανήσεις με παρέα οράματα, φαντάσματα και αρχαίες αλήθειες, όνειρα ντυμένα χωρίς ψυχανάλυση, μουσικές παιγμένες με λέξεις , ασχημάτιστες ιδέες για τον χρόνο, αρχιτεκτονική αφιερωμένη στην νοσταλγία, εσωτερισμός που βαριανασαίνει ως θηρίο, μύθοι ολοζώντανοι μόνο για λίγους, περίπατοι στο Σορέντο μαζί με τον Νίτσε, σημειώσεις για το τέλος της Επιστημονικής Φαντασίας και την πραγματική της επικράτηση…

ON MICHELANGELO ANTONIONI’S LA NOTTE

Night thus emerges as a political as well as aesthetic figure: it is the condition for a democracy of immanence, where every fragment of existence can appear without subordination.This democracy of night is fragile, precarious, easily foreclosed by the return of day and its demands. But in its fragility lies its force. Night shows us…

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JACQUELINE DE JONG heritage

Jacqueline de Jong demanded a ludic society not in aesthetics alone, but in structure: non-hierarchical, anti-teleological, erotic, improvisational, childlike without being childish. Not the neoliberal Disneyland of “experience culture,” but the dangerous, unpredictable terrain of play as insurrection.

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Structures aren’t Rational

“In defense of Logic against Reason, we need thinking from the side of Locked Room Mysteries, where Fiction is just the disguise of impossible in the crime series of a phenomenal rationalism..so the Structures are not rational, are Glyphs, Locked rooms, and who knows maybe all the ongoing situation of the historical time is just…

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a dialogue with Emma Gabor

I’ve always believed that the greatest, most powerful leaders aren’t those that dominate space, but those that hold it, creating opportunities for others to transform, and to grow. To me, the witch is exactly that. A powerful figure holding the torch for others not just to follow, but to engage and exist together, growing and…

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