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Tag: Art

ON MICHELANGELO ANTONIONI’S LA NOTTE

Night thus emerges as a political as well as aesthetic figure: it is the condition for a democracy of immanence, where every fragment of existence can appear without subordination.This democracy of night is fragile, precarious, easily foreclosed by the return of day and its demands.…

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ALBERT SERRA’S LIBERTE

Where the Enlightenment libertine was once positioned as the satirical disruptor of Church and State, Serra’s figures are too late, liberated after the collapse, not before. They are post-libertine, caught not in rebellion, but in the ruins of pleasure’s dialectic. Serra’s libertines are not rebels;…

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TRIRUPTION

Trilectics must be lived, not diagrammed. This is not a model to be mathematized or reduced to a system. Jorn’s trilectics is a method of becoming, not a theory of knowledge. It asks us to embrace contradiction, play, and non-linearity as the core engine of…

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Structures aren’t Rational

“In defense of Logic against Reason, we need thinking from the side of Locked Room Mysteries, where Fiction is just the disguise of impossible in the crime series of a phenomenal rationalism..so the Structures are not rational, are Glyphs, Locked rooms, and who knows maybe…

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DAMNED BE HIM THAT FIRST CRIES

[The scene depicts a large triangle. Two women are climbing it. One wears a long wedding dress. The other dons a short white dress. The first has long, blonde, straight hair; the second tousled, blonde curls. The former is crying, whispering, gasping; the latter is…

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ΕΙΚΟΝΟΠΟΙΗΣΗ ΓΙΑ TON EMIL CIORΑN

AΠΕΛΠΙΣΙΑ ΔΕΝ ΣΗΜΑΙΝΕΙ ΗΤΤΑ ΔΕΝ ΣΗΜΑΙΝΕΙ ΝΙΚΗ ΔΕΝ ΣΗΜΑΙΝΕΙ ΤΙΠΟΤΑ ΧΩΡΙΣ ΤΟ ΤΙΠΟΤΑ ΝΑ ΕΙΝΑΙ ΝΟΗΜΑ ΑΛΛΑ ΜΙΑ ΑΙΣΘΗΣΗ ΠΑΝΩ ΑΠΟ ΤΙΣ ΑΙΣΘΗΣΕΙΣ ΠΩΣ ΤΟ ΚΕΝΟ ΔΕΝ ΜΠΟΡΕΙ ΚΑΝ ΝΑ ΣΕ ΕΚΦΡΑΣΕΙ ΓΙΑΤΙ ΕΙΣΑΙ ΠΑΝΩ ΑΠΟ ΑΥΤΟ ΕΣΥ ΤΟ ΜΕΓΙΣΤΟ ΚΕΝΟ

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